Printers and Scanners
2 articles
Best 35mm Film Scanner for Old Negatives and Slides: Dedicated Scanners, Flatbeds, and Standalone Converters Compared
The Plustek OpticFilm 8200i SE is the clearest choice for recovering detail and managing dust on 35mm negatives or slides, because its infrared dust removal and 48-bit pipeline set it apart from everything else in this set. Buyers with half-frame or panoramic 35mm in their archive should consider the Plustek OpticFilm 135i instead. Standalone converters like the Kodak Slide N Scan are genuinely fast for large slide carousels but give up the resolution and tonal depth that matter at print size.
Updated October 2026
Best Photo Printer for Gallery and Exhibition Prints: Canon imagePROGRAF vs Epson SureColor Compared
For fine-art photographers and curatorial buyers who need archival output up to 17 inches wide, the Canon imagePROGRAF PRO-1100 is the clearest choice, pairing an eleven-pigment LUCIA PRO II system with the widest desktop format in this set. Buyers committed to Epson's ink and profile ecosystem should look at the SureColor P900 at the same size, or the P700 and PRO-310 if 13x19 is enough. The Canon Pixma Pro 200S should be passed over for exhibition use because dye inks cannot meet archival expectations.
Updated October 2026